Solutions for museums and attractions
Immersive experiences and interactive installations for cultural spaces.
What we do differently for an exhibition
The install is permanent and we will not be there. Three choices make it self-sufficient.
Everything restarts by itself
Scheduled power-up and shutdown sequences, automatic recovery after an outage, and players that resume their content unaided. The acceptance test is to pull the plug and watch what comes back.
The install reports on itself
A status feed that warns the museum team before a visitor does. Knowing a projector is off that same morning is worth more than a short response window on a failure found three days later.
We choose equipment built to run
Devices designed for continuous duty, with consumables whose life is known and whose replacement is scheduled. A meeting-room projector on a six-month exhibition is a failure with a date on it.
What we bring in most often, and why
AV integration
An exhibition is a permanent install, not a long event. Recessing, power, automated start-up and maintenance access get designed together, and that is what separates a route that lasts six months from a build that lasts six days.
Sentinel
The real risk on a permanent install is not the failure, it is the time during which nobody knows it happened. Monitoring turns a black screen found by a visitor into an alert received before opening.
On-site service
Over six months something will give. A response agreement with parts already identified stops a room staying closed while an order ships, which shows up in visitor comments long before the closing report.
What a permanent route needs
Browse the catalogueDevices rated for continuous duty and content that restarts by itself after an outage. Projection is installed out of reach of the public, and the image source hides in a technical room rather than under the plinth.
Sound zones that do not bleed from room to room: directional coverage, low levels, and sometimes audio limited to one position so it does not invade the next space. Nothing audible when the room is empty.
Light serves the object and respects its conservation: measured levels, no ultraviolet, controlled heat. Sources stay invisible from the route, and levels are documented so they can be reset identically.
Whatever carries screens and panels has to hold six months without moving and come down without marking the walls. Cable routes are planned in the drawing, not added afterwards with tape.